Imagine that you are visiting Wholeo. You walk inside and the stained glass
dome surrounds you. The numbered descriptions and pictures on this page focus on the main
areas.
The first photo is an image map.
To get your bearings, on the image map, notice the
directions:
E - top, N - right, W - bottom, S - left. (If this
doesn't help, ignore it.)
Each number on the image map is linked to a
photo and local map. A number on each local map marks the location of the
photo
with respect to the overall design. The number shows what you are looking at.
There is a description, small GIF image, and tiny local map of each area.
As you read, click on the text or the small image to see
a large hi-resolution JPEG image. Click on the local map or "Back to Contents" to return
to the top of the page.
Secret garden: installation design by Elizabeth O
Mlulu.
1 Outside Wholeo
The dome looks like freestanding color. It is a hemisphere made of leaded glass panels
supported by a geodesic aluminum frame.
The antique handblown glass pieces have
sometimes been stained, painted, and fired in a kiln or etched in acid to reveal layered colors. The
glass is put together with strips of lead to form panels of various shapes and sizes. The average
panel is three feet across. The panels are laid onto a geodesic tube frame dome and leaded
together.
Wholeo is like a giant lampshade, big enough
to walk inside.
An observant child said, "Wholeo is small
from the outside and big from the inside."
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2 Wide angle view inside
Looking into Wholeo from the east, a wide-angle view of the entire expanse of color engulfs you. This is the top
part of a globe, a sculpture to be in.
Colors act as light and space conditioners. Transparent glass panes open up small
windows to the space outside the dome, while colored light beams in. You move in a
mind-expanding richness of color dimensions.
Broad arcs of colors come from behind you in the east and sweep across the dome to the
west, ahead of you. The colors stretch along the sun path from its rising in the east to
setting in the west. Study the rainbow arcs woven with the images. The arcs change from
green at the left in the south, through aqua, deep blue, earth tones overhead, magenta,
red and gold at the right in the north.
In this view, it is high noon and people are bathed in colored light.
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3 Fisheye lens view of Wholeo
Here's looking at Wholeo from the middle of the floor straight up and
all around 360 degrees. This map is a fisheye lens view, which you can see
if you lie down with your head to the north and your feet to the south. Notice
the paths of the rainbow colors from green at your feet, through aqua, deep
blue, magenta, red, and gold.
The design of Wholeo is deliberately a patchwork. Each figure serves as a
ground for another figure, making a rich tapestry of visions that invites
your participation.
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The scale and size of Wholeo
This drawing shows how a person fits into Wholeo.
Conceptual design "Scale of Wholeo" Copyright 1995 by Elizabeth
O Mlulu.
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4 Looking south: a figure
In the south, in the green arc, sits a person in contemplation, asking for
visions of the whole self. It could be you or me. The person's head is in
a breathing cloud. Air flows in and out, mixed with colors and tiny spectrums,
refreshing the atmosphere. Above that is a greatly enlarged detail of the
pineal gland. This gland is sometimes called the "inner eye." It appears to be
radiating light.
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5 Bathed in aqua light
Surrounding the green arc is aqua. It is swimming with tiny energy sources that spark life in
our world. I call them "cosmic juices" and show them as gold sandwiched between deep
greens. Each cosmic juice is a node that anchors or supports an aspect of life.
Here a child chooses to bathe in the light that is
colored aqua by the glass. She can move to be in green,
blue, red, and other rainbow colors if she follows the
sun beams across Wholeo.
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6 Dawn in the east: birth
Close up, the person sees what is most familiar. That is the arc of birth,
consciousness, and death. Birth is placed in the east near the rising sun,
consciousness at high noon, and death near sunset in the west. In this view,
the "Smallest Unit of Life" is the rounded form in the east, seen at sunrise.
Blue spirals counter-clockwise, red clockwise, and a yellowish green zap twists up the center between the poles.
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7 Noon, consciousness
Consciousness appears as an imaginative vision, a cross-section of a brain cell. It is a
circle set against a cutaway view of the sphere of the emotions, (in red and blue yin-yang
swirls). Each quadrant of the brain cell is shown in a different phase of activity related to
its six rods. Lower right, different signal flows obscure all but the yellow ends of the
rods. Lower left, a single signal is coming onto a rod. Upper left, signals are stored on
rods in black bands, like bar codes. Upper right, the rods, excited and lit up like lanterns,
project the information in concentric circles of associations.
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8 Sunset in the west: death end
To the left in this picture are active parts of the aqua arc, especially a proto-cell forming.
Follow the sun path on down to earth in the blue arc. At the top, sudden death comes as
a lightning crack through the rigid weave of a round manhole cover design. Moving on
down, inevitable zigzags express slow death. Down farther at death end, forms lie down
on the ground. To the right is the part of the blue arc dedicated to breathing out. It is
shown as turbulence around a black hole.
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9 Closeup of death end
Waves of life lose their spring and align in rich darks, relaxing down the last steps. At
death end, colors fade, becoming twilight grey, then disappear. It is as the light leaves at
the end of each day.
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10 Spring, creation
Having seen the sun-path arc of our life story and the black hole of breathing out for the
last time, the person looks beyond and finds a miracle. A brilliant glow of yellows,
fragile new growth greens, and flashing angles is a source of arcs. The jewel has six sides.
The bottom arc is grounding, earth. To the lower right is the deep blue arc that the
person knows well. Above it spring green and brown arcs. To the left spring the magenta
and red arcs.
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11 Spring, breathe in
In the lower right of this picture, at the very beginning of the blue arc is a wavy cleft, a
gap that illuminates breathing in. Each vertical breath is drawn up, gathered by energy
centers along the spine and circulated out horizontally in spiral paths. At the top,
overhead, breath rests in wholeness, symbolized by a circular disk.
The person gazes and learns to synchronize breathing with the visual design in glass:
breathing up along the spirals to the count of eight, holding for eight in the circle aloft,
then descending, breathing out for eight, and resting at the base bud before beginning
another round.
By learning to breathe consciously, the person sees beyond the near arc of birth and death
and has a chance to escape the black hole of breathing out unconsciously.
The green and brown paths mingle, tumbling and twisting vibrantly. Inspired by the
illuminated breathing, they carry circular drops of wholeness aloft. As they merge for a
moment above the breathing gap, in a golden swirl of nodes, imagine a possible start of a
new species. Let it be called a "tweezle wootz."
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12 Beyond the sun path
Turning to look across the dome from east to west, shows the sun path and beyond from
a different perspective.
Wholeo is filled with poetic details to be discovered gradually over the years.
Top
left, sun lights triangles joined by four small discs, banded above and below
with
green/gold sandwiches. The triangles outline the skeleton of events that
appear
sketchily as dotted waves in the next panel along the sun path (see 7 Noon,
consciousness).
The breathe in panel is top right. The full path of cosmic
juices transmuted in a person leads drops of wholeness back down to earth at the
bottom.
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13 Looking north, overview
Moving to the south, you look north from the point of view of the person in
the green arc. A rounded deep blue panel above gives off fine waves of
rainbow colors with the aura of a mandala. Below, forms spiral dynamically
in a warm red glow of presence, of spiritual being. See the aura as an
expression of the magenta arc. See an exploded microscopic view of the being in the red arc, converging on
gold, centering.
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14 Essence of being
The entire northern part of the dome radiates a red halo. Within, intricate
forms hint at the essential qualities of a spiritual being, a wholly developed
person. The red stands for unconditional love, home fires, the hearth, and
blood. It also stands for lust, anger, and violence. Red expresses the
entire range of human passion that releases on the way to becoming whole. It
evokes the path with heart.
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15 Being: closeup to left
This photograph zooms up to the left of the being, in the far northwest of
Wholeo. A spiral twists up to toward another tweezle wootz.
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16 Aura/Wavelength notation
The mandala up north in Wholeo has two aspects: an aura and wavelength notation.
You could use the blue shapes between the colors as a literal notation for wavelengths of
light. Red, the longest wavelength, is the longest shape, clustered in the middle. Orange,
the next longest wavelength, is a shorter shape, and surrounds red in the mandala. The
other colors (yellow, green, aqua, blue, and violet) have progressively shorter
wavelengths and shapes. So they move toward the edge in that order. Using the
notation, you can draw colors in black and white.
As an aura, the warm red physical heart is in the center. The colors gradually cool as they
step through the spectrum toward the outer edge, where they meet the white light of
spirit.
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17 Up, front, center: triangulation
The circular panel up south in Wholeo has two aspects: relationship and triangulation.
The two orbs (of pink partially covering gold behind) could be planets, people separated in space and time, or aspects of
yourself. They relate directly and through the stars. For example, when I go on vacation,
I can relate to my city life through the stars, which remain relatively fixed with respect to
both locations.
Given three points, if you know the distance between two of them and the angles to a
third point, you can find the distances to the third. The calculation is called triangulation.
In Wholeo, two points are prisms located on separate orbs of pink and gold. The third
point can be any one of the stars around.
In this panel, the paths come round, encompassing stars and planets.
Suddenly a macrocosm, a telescopic view zooms amidst the microcosmic, cellular
or
personal, feeling-level processes. Triangulation lets us probe and understand
vast spaces
through the power of our minds and creative imaginations. We
find
meaning in the cosmos. Processes we discover within
or without can be equally valid.
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A curved table for glazing
Wholeo's panels were made (glazed) on custom-built curved tables. This picture shows the
first concave table, holding glass cut and ready for leading.
That is, the next step is to fit strips of lead between the pieces of glass,
solder the joints,
and force cement under the lead.
The table is made from curly
wood shavings called excelsior, plaster, and 2' x 4's cut to the curvature of the dome. The
next set of tables and shipping forms were cast in plastic using this table as a mold.
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18 Breathing cloud spectrums
Visitors to Wholeo often reach out to the colored light and to catch rainbow spectrums
floating by. In this picture, hands receive light and are refreshed with breezes from the openings in the
breathing cloud.
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Geodesic tube framework
Here is Wholeo with panels half installed. The northern half of the dome is
bare. You can see the aluminum frame
skeleton that is ready to hold up the skin of leaded glass panels. When
finished, Wholeo stayed up at this site in Monte Rio, CA for six years.
Now it is in storage, awaiting its next site.
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Secret garden: installation design by Elizabeth O Mlulu
Conceptual installation design "The Secret Garden of Wholeo" Copyright 1995 by
Elizabeth O Mlulu. This design is called a secret garden
because you must get a key to enter the locked gate
to the garden. Also, only the exterior of the dome is visible from
outside the wall.
You walk across grass and up steps into the dome. Below, a reflecting pool
shimmers in the colored light.
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This page last modified : Feb 26 1997
Return to the
Wholeo Exhibit page.
1 Outside Wholeo
2 Wide angle view inside
3 Fisheye lens view of Wholeo
The scale and size of Wholeo
4 Looking south: a figure
5 Bathed in aqua light
6 Dawn in the east: birth
7 Noon, consciousness
8 Sunset in the west: death end
9 Closeup of death end
10 Spring, creation
11 Spring, breathe in
12 Beyond the sun path
13 Looking north, overview
14 Essence of being
15 Being: closeup to left
16 Aura/Wavelength notation
17 Up, front, center: triangulation
A curved table for glazing
18 Breathing cloud spectrums
Geodesic tube framework
Secret garden: installation design by Elizabeth O Mlulu
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