Obscure references... was there ever ( why do I ask! )a Linux Mac issue to justify the juxtaposition? Or is the placement of these images -- just geek love?

TCA! Mac n Cheese = Tennis and Jean D'Alos! Come on - can't you see?

Good thing you did not get to do that upper level ( 1586 b1/c1) solo/salut. That blue you chose would have IMHO spoiled the lovely antique nature that the old sky ( from JER's harbor host or whatvever that was ) gave. I imagined the skyline ( as sketched by someone from the period ) and hell let's go into detail.... In my 1575th level I --

"In the panel for 1587 I chose to paint the grey reservation area with a loose crazy sweep of some of the colors from the left side: the tan, red and yellow. Over that I placed part of a picture picture I found while searching for New Amsterdam ( see Portraits of New York City <www.booker.twoffice.com> ) THe result freaked me out - some heavenly light effect pouring down from whoknows where."

As I write TCA I think about how amped you are for these strange references you include in your panels and text. Where you sorely lack initiative and talent is in the area of how to really evoke sweet imagery out of the forms from the Grid itself! Your slapdash 4 corner hat, thrown into the ring rarely ever seizes the uniqueness, or harvests the raw possibility for newness from the recently mashed levels. You ALWAYS sew in your pieces with a few careless blends, done to I guess assuage past critics.

And of course we know your methods of selection ( eloquently and simply detailed by SNZ in 1587 a1 )

You still did not even acknowledge your hacking off your OWN panel ( 1585a2). Unless of course there is a cryptic reference you can explain, perhaps something to do with the Streets of San Francisco and Michael Douglas.